The Ancestors magazine blog has made the following announcement:
The April issue of Ancestors (no 94) will be the last to the published, as at the end of March, as the two partners in the venture The National Archives and Wharncliffe History Magazines (WHM) are going their separate ways.
As we speak I am preparing the very last Internet News column for the magazine, which I have had the great privilege of writing for the last year and a half or so. I'd like to pay tribute to the editor Simon Fowler and all the team for producing a quality publication from the heart of one of Britain's premier archive repositories, and one which I am sure will be sorely missed by its many loyal readers.
As the current title passes into history, my advice now would be to get the back issues you don't have as quickly as possible - I suspect the expertise found within many of its issues will be quoted for many years and decades to come, and that it will soon become one of those titles where you don't know what you've missed until it is gone...!
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Saturday, 6 March 2010
Some thoughts on WDYTYA? in the USA
Yesterday saw the first transmission of the new American version of the Wall to Wall made series "Who Do You Think You Are?", which has been going for many years now in the UK, and which has already been produced elsewhere around the world including Australia, Canada, Ireland and other countries. Perhaps unsurprisingly, the country that is last to join the party is the one making the biggest noise about it, but that is no different to the situation we found ourselves in the UK when it was first shown here! It's a new event in the US - there's a lot to shout about, particularly in a country filled with hyphenated Americans from all identities, something that has made the USA as great a nation as it is.
At first the product that became "Who Do You Think You Are?" in the UK started off quite differently to what was eventually shown on screen. Initially the series was to be developed inhouse within the BBC as a new 'Nations and Regions' series concerning genealogy. Nations and Regions is how the BBC is divided up, with the Nations (Scotland, Wales and Northern Ireland), and the Regions (English regions), and previous shows such as "Coast" had been made on that model, so for example in Scotland the three Scottish programmes were made for that series, Northern Ireland made its one, Wales its two, and the English regions divided up the rest. (Similarly structured shows included the successful "Restoration"). If this model had been followed, the series would certainly not have made it to the screen in its current format or branded with the name "Who Do You Think You Are?", but for various reasons the plans changed and it was handed to Wall to Wall to make into a celebrity based format, and the rest is history.
In the UK, the series first transmitted on BBC2, followed by a half hour series on BBC4 entitled 'Family Ties', which was produced by the Open University, and which, from a personal point of view, I found far superior to WDYTYA - not because of production values (both were well shot, narrated, structured etc) - but simply because the BBC4 series dealt with real people in an almost observational documentary style, such as the English born man who suddenly found that his father had served with the German SS in World War Two, and other stories equally challenging in the areas of identity. I've always found the idea that identity can be affected by your family history research far more powerful than what can perhaps be construed as 'celebrity gossip'. That does from time to time appear in "Who Do You Think You Are", with the very best example perhaps being the very first episode concerning Bill Oddie trying to come to terms with his mother's mental illness.
Initially the series was documentary based, emotive when it was correct to be so, and challenging, and to add to the party, the BBC also added a fifteen minute 'red button' feature each week with useful information given by presenter Nick Barratt on the very basics of family history - how do you find a birth certificate, what is a census, etc? The question "Who Do You Think You Are?" was pointed directly at us, the viewers - we were merely watching the celebs to show us the path how to find out. The whole idea of the initial commission was to create a learning journey - watch the show on BBC2, be motivated enough to follow it to the red button and/or BBC4 "Family Ties" programme, then to the BBC and /or OU websites, and perhaps end up with the viewer doing a course or in pursuit of their family history though other means. Public service broadcasting at its very best.
So successful was the first series, that a second was commissioned, to equal acclaim, and I still consider the first few series the best yet, though the support materials in the form of 'Family Ties' and the red button features disappeared in the show's infancy. Each year a new batch of stories appeared, without repetition (or not too much at least) of subject matter. Somewhere down the line the decision was then made to 'promote' the series to BBC1. That to me was a terrible decision and a real turning point. The show had been a ratings hit for BBC2, but also had a degree of intelligence in each edition's construction, but the move to BBC1 saw the format change to be more about the celebrity, and more as an entertainment product, than a decent show on genealogy. I personally now find the BBC show a tired version of its former self. It seems that each season we now get 'token' programmes covering the same themes - the mandatory 'Irish' programme, the obligatory 'Jewish' programme, the one with the 'Trenches' etc. Don't get me wrong, some classics do still pop up - it's a resilient format. But where the earlier series allowed us to follow the celebrities on their journeys, and to learn ourselves how to pursue our own, now the show has become repetitive, and one of those shows alongside "This is Your Life", "Coronation Street" and "Doctor Who" that all celebrities would like to appear on. Its their show now, not ours, and an ordinary person's story is no longer an important consideration. Hence why it is not at all deemed inappropriate to stage Carol Vorderman bumping into someone in a shop who just happens to have an answer to a particular brick wall problem, or to see Chris Moyles looking at the original 1911 Irish census in Dublin when the rest of us would be shot and told to go and look at the digitised version online instead! (True genealogical research techniques have long been abandoned by the UK series, and it is amazing how many doors can be opened with a big name celeb that you and I might find less easy to move!).
At the same time though, there is a real contradiction - the celebrity angle has certainly invigorated the genealogy market more than if the show had been about ordinary people, because the UK has now become a celebrity obsessed culture, and without a famous name attached these days, little happens - whether that is the winning of settlement rights for the Ghurkas in Britain or the commission of a television documentary. The WDYTYA brand is a powerful brand - last week's show in Olympia proved that with some of the highest attendance figures yet - and each series continues to gain high viewing figures.
The US is now being introduced to the series, which it is believed will be shown later in the year in the UK (but with a British narrator). When it arrives, it will be the ultimate celebrity fest, in that we will be able to learn even less, I would imagine, from our overseas cousins' stories that can help us in our own research. I suspect we may even find it a bit odd, as I would imagine there will be structured emotional moments leading into commercial breaks on NBC (compare 'Gordon Ramsay's Kitchen Nightmares' American version to the British one!). It will still be a genealogy series - but when it arrives, for us here in the UK I suspect it will have completed its journey to become a purely entertainment based format, but I hope that it will help achieve the same cultural impact in the USA that it has here in the UK.
"Who Do You Think You Are?" did change the goal posts here in the UK - it is our history, and we do have a right to find it out for ourselves, and that was something the show helped to open doors for. Hopefully it will have the same impact in the US - but USA, please don't forget the meaning of the title as your version develops in the years to come, as perhaps has happened over here.
It is "Who Do You Think You Are?" - not "Who Do They Think They Are?"!
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
At first the product that became "Who Do You Think You Are?" in the UK started off quite differently to what was eventually shown on screen. Initially the series was to be developed inhouse within the BBC as a new 'Nations and Regions' series concerning genealogy. Nations and Regions is how the BBC is divided up, with the Nations (Scotland, Wales and Northern Ireland), and the Regions (English regions), and previous shows such as "Coast" had been made on that model, so for example in Scotland the three Scottish programmes were made for that series, Northern Ireland made its one, Wales its two, and the English regions divided up the rest. (Similarly structured shows included the successful "Restoration"). If this model had been followed, the series would certainly not have made it to the screen in its current format or branded with the name "Who Do You Think You Are?", but for various reasons the plans changed and it was handed to Wall to Wall to make into a celebrity based format, and the rest is history.
In the UK, the series first transmitted on BBC2, followed by a half hour series on BBC4 entitled 'Family Ties', which was produced by the Open University, and which, from a personal point of view, I found far superior to WDYTYA - not because of production values (both were well shot, narrated, structured etc) - but simply because the BBC4 series dealt with real people in an almost observational documentary style, such as the English born man who suddenly found that his father had served with the German SS in World War Two, and other stories equally challenging in the areas of identity. I've always found the idea that identity can be affected by your family history research far more powerful than what can perhaps be construed as 'celebrity gossip'. That does from time to time appear in "Who Do You Think You Are", with the very best example perhaps being the very first episode concerning Bill Oddie trying to come to terms with his mother's mental illness.
Initially the series was documentary based, emotive when it was correct to be so, and challenging, and to add to the party, the BBC also added a fifteen minute 'red button' feature each week with useful information given by presenter Nick Barratt on the very basics of family history - how do you find a birth certificate, what is a census, etc? The question "Who Do You Think You Are?" was pointed directly at us, the viewers - we were merely watching the celebs to show us the path how to find out. The whole idea of the initial commission was to create a learning journey - watch the show on BBC2, be motivated enough to follow it to the red button and/or BBC4 "Family Ties" programme, then to the BBC and /or OU websites, and perhaps end up with the viewer doing a course or in pursuit of their family history though other means. Public service broadcasting at its very best.
So successful was the first series, that a second was commissioned, to equal acclaim, and I still consider the first few series the best yet, though the support materials in the form of 'Family Ties' and the red button features disappeared in the show's infancy. Each year a new batch of stories appeared, without repetition (or not too much at least) of subject matter. Somewhere down the line the decision was then made to 'promote' the series to BBC1. That to me was a terrible decision and a real turning point. The show had been a ratings hit for BBC2, but also had a degree of intelligence in each edition's construction, but the move to BBC1 saw the format change to be more about the celebrity, and more as an entertainment product, than a decent show on genealogy. I personally now find the BBC show a tired version of its former self. It seems that each season we now get 'token' programmes covering the same themes - the mandatory 'Irish' programme, the obligatory 'Jewish' programme, the one with the 'Trenches' etc. Don't get me wrong, some classics do still pop up - it's a resilient format. But where the earlier series allowed us to follow the celebrities on their journeys, and to learn ourselves how to pursue our own, now the show has become repetitive, and one of those shows alongside "This is Your Life", "Coronation Street" and "Doctor Who" that all celebrities would like to appear on. Its their show now, not ours, and an ordinary person's story is no longer an important consideration. Hence why it is not at all deemed inappropriate to stage Carol Vorderman bumping into someone in a shop who just happens to have an answer to a particular brick wall problem, or to see Chris Moyles looking at the original 1911 Irish census in Dublin when the rest of us would be shot and told to go and look at the digitised version online instead! (True genealogical research techniques have long been abandoned by the UK series, and it is amazing how many doors can be opened with a big name celeb that you and I might find less easy to move!).
At the same time though, there is a real contradiction - the celebrity angle has certainly invigorated the genealogy market more than if the show had been about ordinary people, because the UK has now become a celebrity obsessed culture, and without a famous name attached these days, little happens - whether that is the winning of settlement rights for the Ghurkas in Britain or the commission of a television documentary. The WDYTYA brand is a powerful brand - last week's show in Olympia proved that with some of the highest attendance figures yet - and each series continues to gain high viewing figures.
The US is now being introduced to the series, which it is believed will be shown later in the year in the UK (but with a British narrator). When it arrives, it will be the ultimate celebrity fest, in that we will be able to learn even less, I would imagine, from our overseas cousins' stories that can help us in our own research. I suspect we may even find it a bit odd, as I would imagine there will be structured emotional moments leading into commercial breaks on NBC (compare 'Gordon Ramsay's Kitchen Nightmares' American version to the British one!). It will still be a genealogy series - but when it arrives, for us here in the UK I suspect it will have completed its journey to become a purely entertainment based format, but I hope that it will help achieve the same cultural impact in the USA that it has here in the UK.
"Who Do You Think You Are?" did change the goal posts here in the UK - it is our history, and we do have a right to find it out for ourselves, and that was something the show helped to open doors for. Hopefully it will have the same impact in the US - but USA, please don't forget the meaning of the title as your version develops in the years to come, as perhaps has happened over here.
It is "Who Do You Think You Are?" - not "Who Do They Think They Are?"!
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Friday, 5 March 2010
RCAHMS Old Scotland images online
From the Royal Commission on the Ancient and Historical Monuments of Scotland:
You can now browse a selection of some of RCAHMS finest archive photographs in a series of online galleries.
The historical images showcased here date from the late nineteenth century to the mid twentieth century and are drawn from the work of both renowned photographers like Erskine Beveridge, Francis M Chrystal and Henry Bedford Lemere, as well as private albums.
For over one hundred years, RCAHMS has been collecting, taking and interpreting photographs that record the architectural, industrial and archaeological heritage of the nation. From images of cityscapes to individual buildings, and ancient remains to aerial photography, they are essential tools for building a picture of who we are, where we came from, and where we may be going. RCAHMS is one of Scotland’s National Collections, and holds several million photographs of our built environment – the earliest dating from the 1850s – in a continually growing archive which also includes maps, drawings and manuscripts.
These fascinating historical photographs represent just one small facet of the work that RCAHMS carries out, but they remain key components of an archive that offers a unique insight into the special nature of Scotland's places.
All images of ‘Old Scotland’ are available to browse and buy online .
To access the images visit www.rcahms.gov.uk/old-scotland.html.
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
You can now browse a selection of some of RCAHMS finest archive photographs in a series of online galleries.
The historical images showcased here date from the late nineteenth century to the mid twentieth century and are drawn from the work of both renowned photographers like Erskine Beveridge, Francis M Chrystal and Henry Bedford Lemere, as well as private albums.
For over one hundred years, RCAHMS has been collecting, taking and interpreting photographs that record the architectural, industrial and archaeological heritage of the nation. From images of cityscapes to individual buildings, and ancient remains to aerial photography, they are essential tools for building a picture of who we are, where we came from, and where we may be going. RCAHMS is one of Scotland’s National Collections, and holds several million photographs of our built environment – the earliest dating from the 1850s – in a continually growing archive which also includes maps, drawings and manuscripts.
These fascinating historical photographs represent just one small facet of the work that RCAHMS carries out, but they remain key components of an archive that offers a unique insight into the special nature of Scotland's places.
All images of ‘Old Scotland’ are available to browse and buy online .
To access the images visit www.rcahms.gov.uk/old-scotland.html.
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Researching Scottish Family History - Parish Chest
My book Researching Scottish Family History is now available through Parish Chest at www.parishchest.com, where it listed as a product of the month. The cost is £7.95, and UK postage is £2.14. Additional postage rates can be found for other destinations around the world.
The book can also now be purchased directly from Family History Partnership at the following link: www.familyhistorypartnership.com/prod141.htm
(Thanks to Pam at Parish Chest and Terry at Family History Partnership)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
The book can also now be purchased directly from Family History Partnership at the following link: www.familyhistorypartnership.com/prod141.htm
(Thanks to Pam at Parish Chest and Terry at Family History Partnership)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Go on my son! 3rd place in Burns poetry competition...!
I am now about to abuse my blog for personal ends....!
My wee son Jamie aged 5 just came third in the regional heat here in Largs for the North Ayrshire Burns Poetry competition, and is now through to the county final! He recited a poem entitled Roguey Pogey:
Roguey Poguey Pickety Peel
My sister is a richt wee de'il
She nips ma lugs and rugs ma hair
Scatters ma toys aa owre the flair
She laughs and thinks it is great fun
But then her age is only one!
Next year it'll be wee sleekit mousies and everything! Not quite yer name in lights wee man - but ye made it to the blog! :)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
My wee son Jamie aged 5 just came third in the regional heat here in Largs for the North Ayrshire Burns Poetry competition, and is now through to the county final! He recited a poem entitled Roguey Pogey:
Roguey Poguey Pickety Peel
My sister is a richt wee de'il
She nips ma lugs and rugs ma hair
Scatters ma toys aa owre the flair
She laughs and thinks it is great fun
But then her age is only one!
Next year it'll be wee sleekit mousies and everything! Not quite yer name in lights wee man - but ye made it to the blog! :)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Thursday, 4 March 2010
Mitchell Library's Family History Department
Let it not be said that the rapier like reflexes of this wee shuggy don't spring into action at the slightest hint of genealogical news. Let that not even be said when I am several weeks late with discovering or announcing it...! :)
I was in the Mitchell Library today doing some work for a client on the second floor, and when finished, I made my way upstairs to the family history room. "It's quiet", thought I, "just like the last time I was up two weeks ago". I was half way through looking up an electoral roll when I suddenly twigged, with frightening ferocity, that where I was sitting had previously been occupied by a microfilm reader! You know that sense of dawning realisation in a movie when all the plot pieces come together to finally reveal the cuplrit? It was nothing like that - I'd just missed the bleeding obvious (twice!)!
A few weeks past the Family History Department began its move from the third floor room of the Mitchell, where it has been since the dawn of time (give or take a few months), and into the adjoining room which previously held the computer suite. So if you are looking to do research at the Mitchell, be advised that the previous room occupied by the department still holds the electoral rolls, Calendars of Confirmation, Irish MIs, and various other records, but that the bulk of the microfilms and fiche for census and OPR records are now next door. In the new bit. Along with the staff...
The move has been prompted by the forthcoming arrival of the Strathclyde Area Genealogy Centre from Park Circus, Glasgow, to the Mitchell, which has been long on the cards. It is currently believed that this might happen later this year in the summer, but don't hold me to that! But things do look like they are beginning to happen...
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
I was in the Mitchell Library today doing some work for a client on the second floor, and when finished, I made my way upstairs to the family history room. "It's quiet", thought I, "just like the last time I was up two weeks ago". I was half way through looking up an electoral roll when I suddenly twigged, with frightening ferocity, that where I was sitting had previously been occupied by a microfilm reader! You know that sense of dawning realisation in a movie when all the plot pieces come together to finally reveal the cuplrit? It was nothing like that - I'd just missed the bleeding obvious (twice!)!
A few weeks past the Family History Department began its move from the third floor room of the Mitchell, where it has been since the dawn of time (give or take a few months), and into the adjoining room which previously held the computer suite. So if you are looking to do research at the Mitchell, be advised that the previous room occupied by the department still holds the electoral rolls, Calendars of Confirmation, Irish MIs, and various other records, but that the bulk of the microfilms and fiche for census and OPR records are now next door. In the new bit. Along with the staff...
The move has been prompted by the forthcoming arrival of the Strathclyde Area Genealogy Centre from Park Circus, Glasgow, to the Mitchell, which has been long on the cards. It is currently believed that this might happen later this year in the summer, but don't hold me to that! But things do look like they are beginning to happen...
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Wednesday, 3 March 2010
Strathclyde University and IHGS genealogy courses - meeting of minds
The Postgraduate Certificate in Genealogical Studies offered by the University of Strathclyde and the Higher Certificate offered by the Institute of Heraldic and Genealogical Studies in Canterbury have now been formally recognised by both bodies as being of an equivalent level. The implication is that those with an IHGS Higher Certificate can, if they choose, seek to join Strathclyde's Postgraduate Diploma, which has until now only been offered to those who have successfully completed the Postgraduate Certificate.
In due course it is hoped that the diplomas offered by both institutions will be similarly recognised, which could make it possible for someone completing the IHGS Diploma to progress onto the university's Masters course, or from the university's Masters onto the IHGS Licentiate.
The holding of the Strathclyde diploma is also now considered an acceptable entry qualification for the professional genealogical body AGRA.
(With thanks to Bruce Durie)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
In due course it is hoped that the diplomas offered by both institutions will be similarly recognised, which could make it possible for someone completing the IHGS Diploma to progress onto the university's Masters course, or from the university's Masters onto the IHGS Licentiate.
The holding of the Strathclyde diploma is also now considered an acceptable entry qualification for the professional genealogical body AGRA.
(With thanks to Bruce Durie)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Who Do You Think You Are? Live - notes from talks now online
The Society of Genealogists has made available online a series of lecture notes from talks given at Who Do You Think You Are? Live by Maureen Taylor, Gill Blanchard, John Hanson, Celia Heritage, Chris Watts, Rebecca de Saintonge, Peter Christian, Roy Stockdill, Geoff Swinfield, Bruce Durie, Gillian Stevens and Chad Hanna.
To view the notes visit www.sog.org.uk/events/2010show.shtml
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
To view the notes visit www.sog.org.uk/events/2010show.shtml
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Postage rates for Researching Scottish Family History
A quick update regarding my new book (see Researching Scottish Family History now on sale).
The book is available on Amazon, but I have had some enquiries about other avenues for purchase. The publishers, Family History Partnership will be updating their website shortly, but Terry Walsh from the partnership has let me know what the postage rates will be for ordering directy from them. These are as follows:
UK £7.95 + £2.25 p&p = total £10.20
EU £7.95 + £3.45 p&p = total £11.40
Overseas £7.95 + £4.80 p&p = total £12.75
Direct Order Line:
The book can be ordered from FHP by telephone using a credit or debit card, by calling 01706 281088 (or 44 706 281088 if you're dialling from outside the UK).
Order by Post.
Cheques/postal orders (in UK pounds only) should be made payable to "The Family History Partnership" and sent to the following address:
The Family History Partnership LLP, PO Box 502, Bury, BL8 9EP, United Kingdom
You may also find it convenient to use the company's printable order form, which will be updated soon to include the book - see www.familyhistorypartnership.com/FHPorderform.pdf .
Orders will normally be dispatched within seven working days of receipt.
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
The book is available on Amazon, but I have had some enquiries about other avenues for purchase. The publishers, Family History Partnership will be updating their website shortly, but Terry Walsh from the partnership has let me know what the postage rates will be for ordering directy from them. These are as follows:UK £7.95 + £2.25 p&p = total £10.20
EU £7.95 + £3.45 p&p = total £11.40
Overseas £7.95 + £4.80 p&p = total £12.75
Direct Order Line:
The book can be ordered from FHP by telephone using a credit or debit card, by calling 01706 281088 (or 44 706 281088 if you're dialling from outside the UK).
Order by Post.
Cheques/postal orders (in UK pounds only) should be made payable to "The Family History Partnership" and sent to the following address:
The Family History Partnership LLP, PO Box 502, Bury, BL8 9EP, United Kingdom
You may also find it convenient to use the company's printable order form, which will be updated soon to include the book - see www.familyhistorypartnership.com/FHPorderform.pdf .
Orders will normally be dispatched within seven working days of receipt.
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
Coal mining talk in Bo'ness
Brian Murray of the Scottish Mining Museum will be introducing a film show at Bo'ness Hippodrome on Wednesday 28th April 2010 at 11.00am (refreshments available from 10.30am). Tickets are £5.25 with refreshments, £2.60 for screening only. No idea if you can get away with bringing your own flask! lol :)
For further details visit the Business Archives blog at King Coal! Archive film and talk in Bo'ness.
Incidentally, keep an eye out for the next issue of Discover my Past Scotland in a couple of weeks time, where I'll be discussing how to research business records.
(With thanks to Sheena Tait via Twitter)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
For further details visit the Business Archives blog at King Coal! Archive film and talk in Bo'ness.
Incidentally, keep an eye out for the next issue of Discover my Past Scotland in a couple of weeks time, where I'll be discussing how to research business records.
(With thanks to Sheena Tait via Twitter)
Chris
www.ScotlandsGreatestStory.co.uk
Scotland's Greatest Story
www.twitter.com/chrismpaton
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